So, as requested in another post’s comment section, here are some more pics of my 2009 Gibson Custom Shop Les Paul Korina 1957 Reissue. I decided to take it to my studio since I thought it would look good against the aged hardwood floors.
Well, I doubt I need to mention it, but today is a sad day due to the passing of Les Paul. I recently watched the Les Paul documentary Les Paul: Chasing Sound and I was absolutely amazed by what he had accomplished musically and technologically. I remember when I was a kid I use to think “why is there a guitar named after Les Paul… who the hell is he?” Of course at the time Def Leppard’s Phil Collen was my idol and if you didn’t have big hair you didn’t exist. But take one look at this documentary and you’ll see why not only was a guitar named after him, the greatest guitar ever made was named after him (there’s a reason I chose a Les Paul for my logo at the top of the page).
I’ve always wondered if I could really tell the difference in sound between two sets of strings of the same gauge on the same guitar. So when I took my new Gibson Les Paul Goltop over to San Francisco Guitarworks to get a proper setup I also had them put on a new set of strings (I could have done it myself, but I was feeling lazy and they were working on my guitar anyway).
But, before taking the Les Paul into the shop I did a quick recording on the current strings so I could compare them to the new strings once I got my guitar back.
As I posted last week, I went out and tested a EHX Big Muff Pie and a Analogman Sunface NKT 275. The one fuzz box I wanted to try but didn’t because nobody had one available locally was the Keeley Fuzz Head. When I was listening to samples of fuzz boxes, the Keeley was actually my favorite out of them all. But obviously you can’t tell anything about how somethings really going to sound off of a YouTube video. Even trying them out in the store only gives you a little idea of how it will work for you. It’s not until you get things home and use it with your gear that you’ll really know how you’ll like it.
After Effects Bay’s post yesterday I wrote about being inspired to check out the EHX Big Muff Pie fuzz box. Well, today I went down to Haight Ashbury Music Center to give it a try along with an Analogman Sun Face NKT 275. I did some research last night on various fuzz effects and after hours of watching YouTube videos, I narrowed my selection down to the EHX Big Muff Pie w/ Wicker switch, the Analogman Sun Face NKT 275, and the Keeley Fuzz Head. The only one I couldn’t test today was the Keeley Fuzz Head as they were out of stock.
