Aug 13th 09
I’ve always wondered if I could really tell the difference in sound between two sets of strings of the same gauge on the same guitar. So when I took my new Gibson Les Paul Goltop over to San Francisco Guitarworks to get a proper setup I also had them put on a new set of strings (I could have done it myself, but I was feeling lazy and they were working on my guitar anyway).
But, before taking the Les Paul into the shop I did a quick recording on the current strings so I could compare them to the new strings once I got my guitar back.
Jul 24th 09
The guitar that really pushed me to start taking lessons was my Rickenbacker 330. I’ve wanted this guitar for a while but I honestly hadn’t even thought about it in a long time and I certainly don’t have a need for a new guitar (I think one is enough for most beginners). But, I love guitars and if I could, I’d have a room full of them. Combine that with a history of impulse buying and I quickly became the owner of a new Rickenbacker 330.
I called all the local shops to see if they had one in stock.Only Haight Ashbury Music Center had one, so I headed over to check it out. It was beautiful. I knew once I saw the Fireglow 330 I would be buying it (like I said, impulse buyer). It felt great to play as well, so I bought it.
A couple months after buying it I thought about taking it in to get setup at San Francisco Guitarworks. I had been reading that typically all guitars need a good setup. My initial thought was to not take the Rickenbacker in. After all, they are hand made and inspected before they leave the factory. I would assume that means it should have a pretty good setup already. But, I decided to take it in to anyway at the same time I took in my Gretsch 5120 (which I expected would really need a good setup since it’s a less expensive guitar).